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Breadth without Depth: “The Lehman Trilogy” | The New England Theatre Geek
Critique by Maegan Bergeron-Clearwood Update: This article previously credited Carey Perloff as the former artistic director of the incorrect institution. Perloff was the AD of American Conservatory T...
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Where’er the Surge May Sweep: “Ada and the Engine” | The New England Theatre Geek
CAMBRIDGE, Mass. — Lauren Gunderson’s Ada and the Engine at Central Square Theater is not either’s best work. Central Square Theater has produced better shows and produced better shows by Gunderson. ...
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Drama | The New England Theatre Geek
Length: Two Hours BOSTON, Mass. — On September 7, 2023 at 4 PM – 6 PM, Little Amal will begin her journey of 6,000 miles across the United States in Boston as part of the largest free public festival ...
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Hurt Me, Daddy: “Dracula: A Feminist Revenge Fantasy, Really” | The New England Theatre Geek
Critique by Kitty Drexel CONTENT WARNINGS: This play contains sexual situations, violence, and death by suicide. It may not be appropriate for persons under 16 years old. This production uses strobe ...
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No Room at the Inn: “Witness” | The New England Theatre Geek
“It doesn’t feel virtual; it feels real.” – Talkback moderator Inessa Rifkin, a founder of the Russian Jewish Community Foundation and a founder of the Russian School of Mathematics, after the Decemb...
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Don’t Hate the Players, Hate the Stage: Shit-Faced Shakespeare’s “A Midsummer Night’s Dream” | The
Review by Kitty Drexel And all the men and women merely players; They have their exits and their entrances, And one man in his time plays many parts…” Jaques, William Shakespeare’s SOMERVILLE, Mas...